trumpet, flugelhorn, composer 1931년 보스니아 야이쩨(Jajce) 출생. 고이코비치는 1948년부터 1953년까지 베오그라드 뮤직아카데미에서 공부하고 딕시밴드와 파티피플을 위한 재즈연주를 하다가 18세에 베오그라드 라디오 빅밴드 멤버가 됐다. 여기서 솔로이스트로 성장한 후 독일로 건너가 1956년 프랑크푸르트 올스타스의 일원으로 첫 레코딩을 했다. 이후 4년 반동안 쿠르트 에델하겐(Kurt Edelhagen) 밴드에서 수석 트럼펫주자로 있으면서 스탄 겟츠, 쳇 베이커 등과 연주하게 된다. 1958년 뉴포트 재즈 페스티벌에 초청받아 연주한 것이 계기가 되어 유럽에서 인기연주자로 자리를 잡게 된다. 1961년 버클리음대(Berklee School of Music)에서 장학생으로 그를 초청해 작곡과 편곡을 공부했다. 이 시기에는 공부를 위해 카운트 베이시나 베니 굿맨, 스탄 켄튼 같은 쟁쟁한 밴드의 제의까지 뿌리칠 정도였다. 버클리 재학시에 게리 버튼, 마이크 깁스, 사다오 와타나베, 스티브 마커스, 데이브 영 같은 버클리 동창들과 녹음작업을 하기도 했다. 공부를 마치고 독일로 돌아올 준비를 할 무렵, 메이나드 퍼거슨(Maynard Ferguson)으로부터 밴드에 들어오라는 제의를 받고 흔쾌히 수락한다. 거장 트럼페터였던 퍼거슨은 두스코 고이코비치를 자신을 대체할 2인자로 발탁하고 작곡과 편곡까지 맡기게 된다. 1964년 퍼커슨 밴드가 해체되자 우디 허먼 밴드로 옮기고 1년동안 활동했다. 이 시기가 두스코 고이코비치에게는 세계적인 명성을 얻는 도약기였다. 우디 허먼 밴드 활동을 접고 유럽으로 돌아와 본격적인 자신의 음반작업을 시작했다. 1966년 "Swinging Macedonia"앨범에서는 맬 왈드론과 나탄 데이비스가 함께 연주했고, 마일스 데이비스, 디지 길레스피, 게리 멀리건, 클라크 테리, 리 코니츠, 소니 롤린스, 필 우즈, 듀크 조던 등 쟁쟁한 재즈 아티스트들과 함께 작업하면서 자신만의 스타일을 구축했다. 아울러 60년대 최고의 재즈오케스트라 가운데 하나인 Clarke-Boland Big Band에서 연주활동을 계속한다. 버클리 유학 이후, 두스코 고이코비치는 빅밴드곡들을 쓰기 시작했는데, Dutch Skymasters나 NDR big band가 그의 작곡과 편곡을 연주했다. 1968년부터 뮌헨에 정착해 프리랜스 연주자들로 구성된 빅밴드를 만들었으나 운영이 쉽지는 않았다. 1993년 유수의 재즈상을 수상했던 화제작 "Soul Connection" (ENJ-8044 2)에서 Tommy Flanagan, Jimmy Heath, Eddie Gomez, Mickey Roker등과의 연주로 화려한 컴백을 했다. 이후 아브라함 버튼, 케니 배런 등이 참여한 ‘’ Bebop City ‘’ (ENJ-9015 2)와 1996년 빅밴드연주의 ‘’ Balkan Connection ‘’ (ENJ-9047 2), 1997년 마일스 데이비스와 길 에반스를 향한 추억으로 가득한 ‘’ Balkan Blue ‘’ (ENJ-9320 22)가 뒤를 이었다. Dusko Goykovich Samba Do Mar Program Artist : Dusko Goykovich Album Title : Samba do Mar Genre : Jazz The Lineup : Dusko Goykovich - trumpet, fluegelhorn Ferenc Snetberger - acoustic guitar Martin Gjakonovski - bass Jarrod Cagwin - drums 1. Samba Do Mar 2. Jim's Ballad 3. Chega DeSaudade 4. Insensatez 5. Bachianas Brasileiras NO. 5 6. The Fish 7. Quo Vadis 8. Love And Deception 9. Danca Comigo 10. Sunset DUSKO GOYKOVICH Born in 1931 in Jajce (Bosnia), Dusko Goykovich studied at the Music Academy in Belgrade from 1948 to 1953. As a youth he played with several jazz and dixie bands, mostly for dancing audiences and eventually on parties at the embassies of the capital. When the 18-year-old joined the Radio Big Band of Belgrade, he was considered a talented young jazz man who also can read music. When he left the band five years later, he had grown into a fine big band player and featured soloist. Dusko went to Germany where he quickly became an integral part of its uprising young jazz scene. In 1956 he made his first record as a member of the Frankfurt All-Stars. After a short stint in the big band of Munich's Max Greger, Dusko stayed for four and a half years with Kurt Edelhagen's band, then Europe's leading jazz orchestra. Francy Boland, Claus Ogermann, Jerry van Rooyen and Rob Pronk were among the arrangers who worked for Edelhagen. In addition to being the band's premier trumpet soloist, Dusko performed with such as Stan Getz and Chet Baker. It came as no surprise when in 1958 he was invited to play with the Newport International Youth Band at the Newport Jazz Festival. Other members of the Newport band included Albert Mangelsdorff, Ronnie Ross, George Gruntz, and Gábor Szábo. Following the performance at Newport, Dusko's trumpet became very popular in Europe. In 1961 the Berklee School of Music offered the 29-year-old a grant for studying composition and arrangement in Boston where Herb Pomeroy was to become one of his teachers. Looking forward to writing his own arrangements for his great love, the big band, Dusko concentrated on his studies at Berklee so exclusively that he regrettingly turned down offers by Count Basie, Stan Kenton and Benny Goodman to join their bands. While at Berklee Dusko (now also on flugelhorn) recorded with the Berklee School Quintet and Orchestra including fellow students such as Gary Burton, Mike Gibbs, Sadao Watanabe, Steve Marcus, Mike Nock, and Dave Young. When he had just finished his studies and prepared his return to Germany, Dusko received a call from Canadian bandleader Maynard Ferguson offering him Rolf Ericson's place (who had just left to join Ellington). Of course, Dusko accepted. Ferguson, a virtuoso trumpeter himself, featured him as a second trumpet soloist and even used some of his big band arrangements. When Ferguson's band split in 1964, Dusko joined Woody Herman and stayed with him for a year. It was his work for Herman that founded Dusko's international reputation as an outstanding big band player and soloist. "Woody Herman encouraged me a lot," Dusko recalls. "He not only accepted my big band charts (with a single exception), but also recorded all of them." The same year Dusko (together with Sal Nistico) left Herman's band and returned to Europe, eager to record his own music. Mal Waldron and Nathan Davis played on his sextet album (1966) that emphasized Dusko's personal, Balkan-influenced style. In those years, Dusko - by then a member of the leading league of international jazz artists - also worked with Miles Davis, Dizzy Gillespie, Gerry Mulligan, Clark Terry, Lee Konitz, Sonny Rollins, Phil Woods, Duke Jordan, Thad Jones-Mel Lewis, Slide Hampton and many more. He continued his big band career as a member of the Clarke-Boland Big Band in 1966 that assembled some of the best musicians living in Europe, among them US ex-patriates Benny Bailey, Idrees Sulieman, Johnny Griffin, Sahib Shihab, Jimmy Woode and - of course - Kenny Clarke. The CBBB was probably the finest jazz orchestra of the sixties, but it seldom played for live audiences at all. After his time at Berklee, Dusko Goykovich began writing big band charts of all of his compositions and many standard tunes. He has been asked to play his arrangements with many European big bands, among them Dutch Skymasters and NDR big band. In Munich (where he settled down in 1968) Dusko soon started his own "rehearsal" big band including such as Rolf Ericson, Palle Mikkelborg, Rudi Fuesers, Ack van Rooyen, Ferdinand Povel, and Frank St. Peter. Due to the difficulties in organising a European free-lance orchestra, this band broke up in 1976 and was revived only for some performances in 1981/82. Yet in 1986 Dusko was able to re-found his own orchestra which has been on the scene ever since. In 1993, he also started a much-acclaimed international comeback as a recording artist with his prize-winning CD "Soul Connection" (ENJ-8044 2) featuring Tommy Flanagan, Jimmy Heath, Eddie Gomez and Mickey Roker. Soul Connection was followed by "Bebop City" (ENJ-9015 2) which featured young alto sax wizard Abraham Burton, Kenny Barron on Piano, Ray Drummond on bass and Alvin Queen on drums. 1996 saw the fullfillment of a long stanbding wish for Dusko: the recording of his own big band playing his music, "Balkan Connection" (ENJ-9047 2). 1997 saw the release of the 2-CD set "Balkan Blue" (ENJ-9320 22), another high point in his career. Disc One features a wonderfully relaxed quintet with Italian master saxophonist Gianni Basso and Disc Two is an extended work performed by the NDR Philharmonic with a jazz rhythm section and Dusko Goykovich as soloist. His compositions arranged by Palle Mikkleborg ( who had done a similar piece of work for Miles Davis ). Balkan Blue evokes strong memories of Miles Davis work with Gil Evans - a seminal recording of our days. ENJ-9482 >A HANDFUL O' SOUL ENJ-9473 >SAMBA DO MAR ENJ-9427 >PORTRAIT ENJ-9408 >IN MY DREAMS ENJ-932022 >BALKAN BLUE ENJ-9047 >THE BALKAN CONNECTION ENJ-9015 >BEBOP CITY ENJ-8044 >SOUL CONNECTION 관련 상세정보 http://blog.naver.com/goodintl/140025226473